DIRECTED BY DANIEL IRRIZARY

COSTUME DESIGN BY MEGHAN E. HEALEY

ONE-EIGHTH THEATER AND IRT

You can enjoy this performance on Vimeo. Watch by clicking this link.

BY C. JULIAN JIMENÉZ

PRODUCED BY INTAR NYC

DIRECTED BY LOUIS MORENO

COSTUME, SCENIC, AND PUPPET DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY HARBOUR EDNEY

SOUND DESIGN BY JESSE MANDAPAT

C. Julian Jimenéz offers a scathing, satirical, and emotional vision of one demented Australian’s “conversion therapy” retreat in this comedy with a twist. A fast 90 minutes explores the social and cultural meaning of gender, the legacy of colonization, and the value of being true to yourself, all in an underground bunker with the great God Ungud watching over you.

BY LARISSA FASTHORSE

PRODUCED BY CORNERSTONE THEATER COMPANY AND ASU GAMMAGE CENTER

DIRECTED BY MICHAEL JOHN GARCÉS

SCENIC DESIGN BY LYNN JEFFRIES

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY BENJAH COBB

SOUND DESIGN BY JOHN NABORI

Larissa Fasthorse continues her trilogy on the Native communities of the United States by collaborating with the Indigenous and Native communities of Arizona. This piece was facilitated and co-produced with Arizona State University’s Gammage Center, and was performed on the tribal lands of the Dine’h people.

Costumes from Native Nation feature the work of amazing native designers such as tees by OXDX and customs printed leggings by D. DAYE HUNTER.

See more of Brittany’s incredible work on her site:

Brittany Gene

Actors Teya Johnson and Kenny Ramos attend dress rehearsal of NATIVE NATION

Textile painting by Diné designer and artist Brittany Gene

Textile painting by Diné designer and artist Brittany Gene

Artwork by Native graphic designer celebrating water protectors, painted onto upcycled jeans

Cast of Native Nation in their custom designed tee shirts created in collaboration with Navajo designer Jared See Yazzi of iconic native label OXDX

Shop more OXDX here

THE WILMA THEATER

DIRECTED BY YURY URNOV

SCENIC DESIGN BY MISHA KACHMAN

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY THOM WEAVER

SOUND DESIGN AND ORIGINAL MUSIC BY MICHAEL KILEY

Anne Washburn asks what remains when the lights go out in her 2012 opus on popular culture, memory, and myth. Director Yury Urnov had a new take on this piece, produced at the Wilma Theater in 2017. A group of disaster survivors use THE SIMPSONS as a jumping off point to connect in Act I, go on the road as re-enactors in Act II, and by Act III set 80 years into the future, the fusion of culture to cult is complete. Ms. Healey was nominated for a Barrymore Award for this costume design. You can learn more about the creative process of the show in this interview with Yury Urnov.

Sketch for MARIA, Act I

Sketch for ACT III CHORUS OF PENITENTS

Sketch of MR. BURNS ACT III

BY CUSI CRAM

DIRECTED BY JULIETTE CARILLO

SCENIC DESIGN BY MEGHAN E. HEALEY

COSTUME DESIGN BY NEPHELIE ANDONYADIS

LIGHTING DESIGN BY GEOFF KORFF

PUPPET DESIGN BY LYNN JEFFRIES

COMPOSED BY EMILY XU GARDNER HALL

CORNERSTONE INSTITUTE AT QUEENS COLLEGE

Queens native and college student Sophie wrestles with her desire for a career as an artist and her mother’s desire for her to take over the family restaurant in this poignant story of family, community, and growing up from playwright Cusi Cram.

THE NEW OHIO THEATER AND ONE-EIGHTH THEATER

BY SYLVIA BOFILL AND ROBERT LYONS

DIRECTED BY DANIEL IRIZARRY

SCENIC DESIGN BY JUNGAH HAN

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY ERIK PETERSEN

SOUND DESIGN BY ELIA CHAQUI

ORIGINAL SCORE BY JAN LECH

Surrealist auteur Daniel Irizarry offers his absurdist physical theater meditation on love, loss, and class warfare in an increasingly alienated world.

BY MICHAEL JOHN GARCÉS

CORNERSTONE THEATER COMPANY

DIRECTED BY SHISHIR KURUP

SCENIC DESIGN BY NEPHELIE ANDONYADIS

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY GEOFF KORFF

SOUND DESIGN BY JOHN NABOORI

PROJECTIONS DESIGN BY SEAN CAWELTI

Michael John Garcés tackles hunger, climate change, GMOs, and community in his epic play inspired by Mozart’s MAGIC FLUTE. When Tammy and her sister Kiko find themselves on the wrong side of the Queen of the Rain, their only hope is to find and rescue her heart- Corazon- from the evil SARASTRO Corp. Will they rescue Corazon in time to help her stop SARASTRO from corrupting the magic seed that feeds us all? WIth the help of the wanderer Pageni and an operatic collection of eccentric guides from all over a drought-plagued Los Angeles landscape, not even the spicy scourge of a life-sized Flamin’ Hot Cheeto can stand in their way. Magic Fruit is the final play in Cornerstone’s Hunger cycle. To learn more about their work, you can visit their website here.

Sketch of TAMMY

Conceptual sketch for KIKO

Preliminary sketch for PAGENI

Final rendering for THE QUEEN OF THE RAIN

Final rendering for MONDIABLO

Final costume rendering for SARASTRO INC

Final costume rendering for THE GUERILLA GARDENERS

BY CANDIDO TIRADO

DIRECTED BY LOUIS MORENO

SCENIC DESIGN BY RAUL ABREGO

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY CHRISTOPHER CANCEL-POMALES

SOUND DESIGN BY JESSE MANDAPAT

PRODUCED BY INTAR NYC

What begins as a spontaneous chess match in the park becomes a fight for one man’s soul in Candido Tirado’s psychological thriller.

ADAPTED FROM THE ORIGINAL BY JOSÉ RIVERA

PRODUCED BY ONE EIGTH THEATER COMPANY NYC

DIRECTED BY DANIEL IRIZARRY

COSTUME DESIGN BY MEGHAN E. HEALEY

SCENIC DESIGN BY JORGE DIEPPA

LIGHTING DESIGN BY LUCRECIA BRICENO

This gender-bending physical theater take on the Genet classic restates the action in mid-century Puerto Rico, examining the island's tortured relationship with the United States, gender, and race.

BY MARC BAMUTHI JOSEPH

ORIGINAL MUSIC BY TOMMY SHEPARD

DIRECTED BY MICHAEL JOHN GARCÉS

CHOREOGRAPHY BY STACY PRINTZ

SCENIC AND VIDEO DESIGN BY DAVID SZLASA

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY TOM ONTIVEROS

SOUND DESIGN BY ROB KAPLOWITZ

Marc Bamuthi Joseph offers up his love letter to the great sport of soccer. Dance, music, and spoken word collide to answer the age old question: why are Americans so terrible at soccer?

CONCEPTUAL SKETCH FOR /peh-LO-tah/

CONCEPTUAL SKETCH FOR /peh-LO-tah/

This web series comedy follows the mysterious machinations of an advertising firm vanity project run by the hapless scion of a New York billionaire. When office manager Marnie’s “side project” becomes the focus of #not-a-feminist Brand Manager Casey’s sleuthing, chaos ensues… Please view the entire series at this link:

ADFIRM: THE SERIES

BY LARISSA FASTHORSE

DIRECTED BY MICHAEL JOHN GARCÉS

SCENIC DESIGN BY SHANNON SCROFANO

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY GEOFF KORFF

SOUND DESIGN BY JOHN NABORI

CORNERSTONE THEATER COMPANY, Los Angeles CA

BY OCTAVIO SOLIS

INTAR NYC

DIRECTED BY LOUIS MORENO

SCENIC DESIGN BY RAUL ABREGO

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY CRISTINA WATANABE

A couple on the verge of first time parenthood encounter a mysterious girl who gives them some advice about their unborn daughter.

BY DAN O’ BRIEN

DIRECTED BY MICHAEL JOHN GARCÉS

SCENIC DESIGN BY MISCHA KAUFMANN

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY JOHN HOEY

SOUND DESIGN BY ROB KAPLOWITZ

PROJECTION DESIGN BY JARED MEZZOCCHI

THE WILMA THEATER, PHILADELPHIA PA

Dan O’Brien shares the story of his relationship with the war reporter Paul Watson, and their trip to the Arctic Circle. The legacy of trauma, and the unintended consequences or our decisions, both individually and collectively, haunt the characters of this poetic play, as Paul is haunted by the murdered soldier who was the subject of his most famous photograph.

BY JACKIE SIBBLIES DRURY

PRODUCED BY WOOLLY MAMMOTH THEATER COMPANY, WASHINGTON DC

DIRECTED BY MICHAEL JOHN GARCÉS

SCENIC DESIGN BY MISCHA KACHMAN

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY COLIN K. BILLS

BY WILL MCADAMS

CORNERSTONE THEATER COMPANY INSTITUTE

ARVIN, CA

AUGUST 2010

DIRECTED BY MARK VALDEZ

COSTUME DESIGN: MEGHAN E. HEALEY

SCENC DESIGN: NEPHELIE ANDONYADIS

LIGHTING DESIGN: GEOFF KORFF

BY LARS NOREN

DIRECTED BY ANDERS CATO

SCENIC DESIGN BY VAN SANTVOORD

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY ED MCCARTHY

SCENIC DESIGN BY MEGHAN E. HEALEY

COSTUME DESIGN BY NEPHELIE ANDONYADIS

LIGHTING DESIGN BY GEOFF KORFF

COMMUNITY OF SALINAS, CA

PRODUCED BY CORNERSTONE THEATER COMPANY

BY ANTONIO ZANCADA

DIRECTED BY ALFREDO GALVAN

SCENIC DESIGN BY REGINA GARCIA

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY MARIA CRISTINA FUSTE

DUKE THEATER NYC

WINNER OF THE 2007 ACE FOR BEST COSTUME DESIGN

WINNER OF THE 2007 HOLA FOR BEST COSTUME DESIGN

BY MAGGIE BOFILL

PRODUCED BY INTAR NYC

PERFORMED AT INTAR 52ND STREET

OPENED JUNE 2011

DIRECTED BY LOU MORENO

SCENIC DESIGN BY RAUL ABREGO

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY MARIA CRISTINA FUSTE

BY IRA HAUPTMAN

DIRECTED BY SUSAN EINHORN

THEATER FOR A NEW CITY

SCENIC AND COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY JEFF GREENBERG

CAFÉ VIDA

BY LISA LOOMER

CORNERSTONE THEATER COMPANY

LOS ANGELES THEATER CENTER, LOS ANGELES CA

JUNE 2012

DIRECTED BY MICHAEL JOHN GARCÉS

COSTUME DESIGN: MEGHAN E. HEALEY

SCENIC DESIGN: NEPHELIE ANDONYADIS

LIGHTING DESIGN: TOM ONTIVEROS

BY MICHAEL JOHN GARCÉS

DIRECTED BY RON DANIELS

INTAR AT THEATER ROW THEATERS

SCENIC DESIGN BY MIKIKO SUZUKI MCADAMS

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY PAUL WHITAKER

BY EDUARDO MACHADO

DIRECTED BY MICHAEL JOHN GARCÉS

INTAR AT THEATER ROW THEATERS

SCENIC DESIGN BY MIKIKO SUZUKI MCADAMS

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY PAUL WHITAKER

THE UNREQUITED

BY LYNN MANNING

CORNERSTONE THEATER COMPANY

WATTS, CA

MAY 2011

DIRECTED BY SHISHIR KURUP

COSTUME DESIGN: MEGHAN E. HEALEY

SCENIC DESIGN: NEPHELIE ANDONYADIS

LIGHTING DESIGN: LONNIE RAFAEL ALCAREZ

PUPPET DESIGN: LYNN JEFFRIES

PALESTINE

BY NAJLA SAID

PRODUCED BY TWILIGHT THEATER COMPANY AND NEW YORK THEATER WORKSHOP/ PERFORMED AT NEW YORK THEATER WORKSHOP

OPENED FEBRUARY 2010

DIRECTED BY STURGIS WARNER

SCENIC AND COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY BEN STANTON

PALESTINE is a one-woman show about the life of Najla Said, daughter of Edward Said- the celebrated academic and Palestinian activist. Najla describes growing up Arab and Palestinian in New York City, her own experiences with prejudice, and being the daughter of a famous father.

The costume of hand dyed and painted fabrics and hand made jewelry were custom built exclusive to this production, and the blouse features an accent piece made from one of a kind vintage jewelry. The floor motif represents a unique image from traditional Palestinian embroidery, and the back curtains were hand dyed to match the floor treatments. PALESTINE has also been presented on tour and was the basis of Najla’s memoir Looking For Palestine.

BLUES FOR A GREY SUN

BY NILAJA SUN

INTAR NYC

DIRECTED BY LOU MORENO

SCENIC DESIGN BY TROY HOURIE

COSTUME DESIGN BY MEGHAN E. HEALEY

Before her acclaimed turn in No Child, performance artist and actress Nilaja Sun paid tribute to the late Spaulding Grey in this funny, melancholy look at post 9/11 New York.

CONCEPTUAL SET DESIGN FOR MINOTAUR

BY DAVID ANZUELO

DIRECTED BY LOUIS MORENO

WORKSHOP PRODUCTION AT THE PUBLIC THEATER/LABYRINTH THEATER

DIRECTED BY CHARLES REPOLE

QUEENS COLLEGE DEPARTMENT OF DRAMA THEATER AND DANCE

COSTUME DESIGN BY MEGHAN E. HEALEY

SCENIC AND LIGHTING DESIGN BY HARRY FEINER

DIRECTED BY SUSAN EINHORN

AARON COPELAND SCHOOL OF MUSIC

SCENIC DESIGN BY TROY HOURIE

COSTUME DESIGN BY MEGHAN E. HEALEY

 LIGHTING DESIGN BY AARON MOONEY

BY RN HEALEY

PRODUCED BY CRUEL PUPPET COLLECTIVE

OPENING SPRING 2022

This is a gallery of selected research being used to create the puppet play of RN Healey’s conceptual play about warriors… who are also cats. Available for streaming Spring 2022.

BY ARISTOPHANES

ADAPTED BY ELIZABETH DINKOVA

ORIGINAL MUSIC BY STEW

DIRECTED BY ELIZABETH DINKOVA

SCENIC DESIGN BY HARRY FEINER

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY JEFF GREENBERG

BY RICHARD ADLER, DOUGLASS WALLOP AND GEORGE ABBOTT

DIRECTED BY CHARLES REPOLE

SCENERY AND LIGHTING DESIGN BY HARRY FEINER

COSTUME DESIGN BY MEGHAN E. HEALEY

PHOTOS BY JULEN PHOTO

BY WILL ENO

DIRECTED BY SUSAN EINHORN

ORIGINAL MUSIC BY LUCY LITTLE

SCENIC AND VIDEO DESIGN BY SIMON HARDING

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY JEFF GREENBERG

SOUND DESIGN BY EMILY AUCIELLO

PHOTOS BY JULEN PHOTO

LITTLE HOUSE FULL OF GIANT STEPS BY MARSHALL DAVIS

EACH ONE IS THE SUM BY EDISA WEEKS

DUHUANG TRAVERSE NO. 1 BY YIN MEI CRITCHELL

(S)OIL, TREKS, TRAILS, AND MIGRATIONS BY NIA LOVE

COSTUME DESIGN BY MEGHAN E. HEALEY

LIGHTING DESIGN BY JEFF GREENBERG